2-4 December 2026 | UNSW Kensington

AAWP 2026

 
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Overview

The 31st Annual Australasian Association of Writing Programs Conference: “Voicing Our Worlds”, UNSW, Sydney, 2–4 December 2026, supported by the School of the Arts and Media and the Faculty of Arts, Design, & Architecture, UNSW.

Hosted by the Literary Provocations Hub at the University of New South Wales Sydney, the 31st Australasian Association of Writing Programs (AAWP) conference will be held in-person at the UNSW Kensington campus, situated on unceded Bidjigal lands. The conference is a cross-institutional collaboration between UNSW, Macquarie University, University of Technology Sydney, Western Sydney University, University of Wollongong, and University of Sydney. The theme of this year’s conference is “Voicing Our Worlds”.

Photo credit: Sardaka, on Wikimedia


Schedule

Postgraduate and Workshops Day

Tuesday 1 December, 2026

Conference: Day 1

Wednesday 2 December, 2026

Conference: Day 2

Thursday 3 December, 2026

Conference: Day 3

Friday 4 December, 2026

Please note: These details are tentative and subject to change. 

Speakers

Graham Akhurst
Graham Akhurst
Senior Lecturer
UTS
Dialog
Graham Akhurst
Graham Akhurst

Graham Akhurst

Senior Lecturer
UTS

Graham Akhurst is an Aboriginal writer and academic from the Kokomini of Northern Queensland. He is a Senior Lecturer of Australian Indigenous Studies and Creative Writing and the Director of Indigenous Studies at UTS. He is the author of Borderland published by UWAP (2023).

Eugenia Flynn
Eugenia Flynn
Senior Lecturer
Monash University
Dialog
Eugenia Flynn
Eugenia Flynn

Eugenia Flynn

Senior Lecturer
Monash University

Eugenia Flynn is Senior Lecturer (Creative Writing and Indigenous Literatures) at Monash University. A writer, academic and creative, Eugenia’s work has been published and exhibited widely; in publications such as IndigenousX and Peril magazine, and in exhibitions such as SOULfury (2021) and Five Acts of Love (2025).

Arpita Das
Arpita Das
Founder-Publisher | Associate Professor
Yoda Press | Ashoka University
Dialog
Arpita Das
Arpita Das

Arpita Das

Founder-Publisher | Associate Professor
Yoda Press | Ashoka University

Arpita Das is the Founder-Publisher of the independent Indian publishing house, Yoda Press and Associate Professor of Writing at Ashoka University. In the past, she has set up and led the Word Lab at IIHS University in Bangalore and the Word to Screen Market at the Mumbai Film Festival. She writes a regular column for the NY-based trade journal Publishing Perspectives.

A photograph of academic Nathan Hollier. He is a middle-aged white man with short, dark hair. He is wearing a suit and smiling gently.
Nathan Hollier
Manager | Chair
Australian National University Press | Independent Publishers Network Australia
Dialog
A photograph of academic Nathan Hollier. He is a middle-aged white man with short, dark hair. He is wearing a suit and smiling gently.
A photograph of academic Nathan Hollier. He is a middle-aged white man with short, dark hair. He is wearing a suit and smiling gently.

Nathan Hollier

Manager | Chair
Australian National University Press | Independent Publishers Network Australia

Nathan Hollier is Manager of ANU Press, Chair of the Independent Publishers Network Australia (formerly Small Press Network), member of the Scholarly and Journals Committee of the Australian Publishers Association and board member of Learned Publishing (UK).  He is a former CEO and Publisher of Melbourne University Publishing, Director of Monash University Publishing, and Editor of Overland. He has a PhD in Australian cultural history and has published widely on culture, politics and economics.

A photo of Julie Koh, an Australian Chinese-Malaysian woman. She sits at a stone table, her chin resting on her hand/
Julie Koh
Author
Dialog
A photo of Julie Koh, an Australian Chinese-Malaysian woman. She sits at a stone table, her chin resting on her hand/
A photo of Julie Koh, an Australian Chinese-Malaysian woman. She sits at a stone table, her chin resting on her hand/

Julie Koh

Author

Julie Koh is the author of two short-story collections: Capital Misfits and Portable Curiosities. She was named a 2017 Sydney Morning Herald Best Young Australian Novelist. Julie has judged more than a dozen literary awards, including the Stella Prize and the Steele Rudd Award. She has also been a Fiction Editor for Westerly and a reader for the Oxbelly Fiction Writers program.

A photo of Felicity Plunkett, a white middle-aged woman. She has shoulder-length brown hair, and wears deep red lipstick. She is smiling.
Felicity Plunkett
Poet and critic | Poetry Editor
Australian Book Review
Dialog
A photo of Felicity Plunkett, a white middle-aged woman. She has shoulder-length brown hair, and wears deep red lipstick. She is smiling.
A photo of Felicity Plunkett, a white middle-aged woman. She has shoulder-length brown hair, and wears deep red lipstick. She is smiling.

Felicity Plunkett

Poet and critic | Poetry Editor
Australian Book Review

Felicity Plunkett is a poet, critic, and Poetry Editor with Australian Book Review. Her most recent book is A Kinder Sea (UQP). Felicity has a PhD from the University of Sydney and was UQP’s Poetry Editor for a decade. This year she was awarded Island’s Gwen Harwood Poetry Prize. 

A photograph of Subhash Jaireth, an Indian Australian man. He has short grey hair and a short grey beard.
Subhash Jaireth
Writer and translator
Dialog
A photograph of Subhash Jaireth, an Indian Australian man. He has short grey hair and a short grey beard.
A photograph of Subhash Jaireth, an Indian Australian man. He has short grey hair and a short grey beard.

Subhash Jaireth

Writer and translator

Subhash Jaireth (Субхаш Джайрет, सुभाष जैरेथ) writes poetry but is not a poet. He writes imaginative fiction and non-fiction but is not a novelist. He thinks but is not an academic. He loves reading and listening to bilingual editions of poetry. For him translation is a way of being and becoming in the world. His books include a collection of poetry titled Lamentations (Gazebo, 2026) and a collection of essays titled Spinoza’s Overcoat: Travels with Writers and Poets (Transit Lounge, 2020). His essays can be read on Thinking Aloud, his subscription-free substack: https://open.substack.com/pub/sjaireth?r=5u8ah3&utm_medium

A photo of Troy Reid, a First Nations Dharug man. He is young, with shoulder-length brown hair and a light beard.
Troy Reid
Performance artist and designer
Applespiel and UNSW
Dialog
A photo of Troy Reid, a First Nations Dharug man. He is young, with shoulder-length brown hair and a light beard.
A photo of Troy Reid, a First Nations Dharug man. He is young, with shoulder-length brown hair and a light beard.

Troy Reid

Performance artist and designer
Applespiel and UNSW

Troy Reid is a proud First Nations Dharug man, performance artist, and designer living on Wangal land. A founding member of performance collective Applespiel, Troy has been making theatre locally and internationally since 2010. Troy’s work is centered around collaborative practice and participatory engagement.

A photograph of Clare Britton. She is a young adult white woman, with shoulder-length brown hair. She smiles.
Clare Britton
Lecturer
UNSW Sydney
Dialog
A photograph of Clare Britton. She is a young adult white woman, with shoulder-length brown hair. She smiles.
A photograph of Clare Britton. She is a young adult white woman, with shoulder-length brown hair. She smiles.

Clare Britton

Lecturer
UNSW Sydney

Living on Bidjigal Land, Clare Britton is an award-winning Australian artist (not Indigenous) and a lecturer working at UNSW. Clare’s visual art practice and her work in live performance are grounded in collaboration and research and explore how landscapes, waterways, and people hold stories.

A photograph of Sue Joseph. She is a middle-aged white woman with short brown hair. She wears dark sunglasses, and a red cap which reads "reliable narrator". She smiles brightly.
Sue Joseph
Associate Professor, Senior Research Fellow
Adelaide University
Dialog
A photograph of Sue Joseph. She is a middle-aged white woman with short brown hair. She wears dark sunglasses, and a red cap which reads "reliable narrator". She smiles brightly.
A photograph of Sue Joseph. She is a middle-aged white woman with short brown hair. She wears dark sunglasses, and a red cap which reads "reliable narrator". She smiles brightly.

Sue Joseph

Associate Professor, Senior Research Fellow
Adelaide University

Sue Joseph taught journalism and creative writing, particularly creative non-fiction, at the University of Technology Sydney for 23 years. Now as Associate Professor, she is a Senior Research Fellow at Adelaide University, Honorary Ass/Pro at the University of Sydney and the University of Technology Sydney, and doctoral supervisor at Central Queensland University. She is currently Joint Editor of Ethical Space: The International Journal of Communication Ethics and co-editor of the Literary Journalism Palgrave book series.

A photograph of Jen Webb. She is a middle-aged white woman. She has white hair, dyed pink. She wears a deep pink shirt and pink necklace.
Jen Webb
Distinguished Professor Emerita
University of Canberra
Dialog
A photograph of Jen Webb. She is a middle-aged white woman. She has white hair, dyed pink. She wears a deep pink shirt and pink necklace.
A photograph of Jen Webb. She is a middle-aged white woman. She has white hair, dyed pink. She wears a deep pink shirt and pink necklace.

Jen Webb

Distinguished Professor Emerita
University of Canberra

 

Jen Webb is Distinguished Professor Emerita at the University of Canberra. Her scholarly books include Gender and the Creative Labour Market(Palgrave 2022), Art and Human Rights (Manchester UP, 2016); and Researching Creative Writing (Frontinus, 2015). Her poetry collections include Moving Targets (2018), Flight Mode (2020), and The Daily News (2024; shortlisted for the ACT Poetry Book of the Year). She is co-editor of the literary journal Meniscus and the scholarly journal Axon: Creative Explorations.

 

A photo of Lee McGowan. He is a middle-aged white man, with short black and grey hair. He wears glasses, and a bright red t-shirt. He looks contemplatively to the side.
Lee McGowan
Lecturer
The University of Queensland
Dialog
A photo of Lee McGowan. He is a middle-aged white man, with short black and grey hair. He wears glasses, and a bright red t-shirt. He looks contemplatively to the side.
A photo of Lee McGowan. He is a middle-aged white man, with short black and grey hair. He wears glasses, and a bright red t-shirt. He looks contemplatively to the side.

Lee McGowan

Lecturer
The University of Queensland

Dr. Lee McGowan is a Senior Lecturer at the University of Queensland. His primary research interests are in the intersections of creative writing, sport (particularly football), and community engagement. His publications include four monographs, Contemporary Literary Sports Journalism (2026), a co-edited anthology, journal articles, book chapters, a digital history, fiction, and a novel-length creative non-fiction on the history of Australian women’s football. 

A photograph of Lizzie Levot. She is a young white woman with long red hair. She wears a blue shirt and bright red lipstick.
Lizzie Levot
Editor
Simon & Schuster Australia
Dialog
A photograph of Lizzie Levot. She is a young white woman with long red hair. She wears a blue shirt and bright red lipstick.
A photograph of Lizzie Levot. She is a young white woman with long red hair. She wears a blue shirt and bright red lipstick.

Lizzie Levot

Editor
Simon & Schuster Australia

Dr. Lizzie Levot is a Sydney-based editor working at Simon & Schuster Australia. She is passionate about literature, theory and criticism, and before making the leap into publishing she spent five years working as an English and Creative Writing tutor and lecturer at UNSW, where she received her PhD in 2019. She loves reading and working on contemporary literary fiction, short stories, and work by emerging writers with fresh perspectives.

 

A photo of Ariella Van Luyn, a white nonbinary academic with short brown hair and glasses. They are smiling brightly.
Ariella Van Luyn
Senior Lecturer
University of New England
Dialog
A photo of Ariella Van Luyn, a white nonbinary academic with short brown hair and glasses. They are smiling brightly.
A photo of Ariella Van Luyn, a white nonbinary academic with short brown hair and glasses. They are smiling brightly.

Ariella Van Luyn

Senior Lecturer
University of New England

Dr. Ariella Van Luyn is a senior lecturer in writing at the University of New England. Ariella specialises in historical fiction, biofiction and creative writing pedagogy. Ariella is the author of a novel, short fiction, and scholarly works in these fields. Ariella’s current research is on neuroqueer historical fiction.

A photo of Melody Ellis, a middle-aged white woman with shoulder-length brown hair.
Melody Ellis
Senior Lecturer
RMIT University
Dialog
A photo of Melody Ellis, a middle-aged white woman with shoulder-length brown hair.
A photo of Melody Ellis, a middle-aged white woman with shoulder-length brown hair.

Melody Ellis

Senior Lecturer
RMIT University

Melody Ellis is a Senior Lecturer based in the School of Media and Communication at RMIT University. Her writing and research explore questions of power, the body, language, art and knowledge: what counts as knowledge, how it is produced and authorised, and what forms of knowing and experience are culturally valued or devalued. Her writing has appeared in numerous literary and scholarly publications, including Cordite Poetry Review, Meanjin, AXON, Mekong Review and TEXT. Melody has significant expertise in research design bolstered by over 13 years’ experience working in research development prior to her academic career. She is the creative nonfiction editor of Southerly.

Accessibility FAQs

We are dedicated to making this conference accessible for people with disabilities and chronic illnesses and neurodivergent people. If you have an accessibility requirement not addressed below, please email aawp2026@unsw.edu.au and AAWP Access and Equity Portfolio lead Axel-Nathaniel Rose at a.rose@unsw.edu.au. We will answer any questions and work with you to find a pathway forward.

If you are presenting at the conference, please include any accessibility requirements in your conference registration.

Q: Can I attend online?
A: Some streams of the conference will be delivered both online and in person mode to facilitate the participation of those who cannot attend in person for reasons of access and equity. If you are presenting at this conference and are unable to attend in person, please let us know when you register so that we can ensure you are scheduled in a hybrid stream.

Q: Are there hearing loops in the conference venues?
A: Most rooms include hearing loops. We have confirmed the availability of hearing loops in:

·         Webster 310

·         Webster 327

·         Webster A

·         Webster B

We will update this list as we receive confirmation about other venues.

Q: Are the conference spaces wheelchair accessible?
A: Yes, all rooms are wheelchair accessible. There are three levels to the Webster Building, and there is an accessible bathroom and elevator access on each.

UNSW’s accessible spaces are documented on this page and accessible pathways are noted in this document (link triggers download of PDF).

Q: Will there be someone who can help me with accessibility issues during the conference?
A: Yes, you can contact any of the volunteers (marker of volunteers TBC), and they will put you in touch with one of the accessibility-focused volunteers. If you would like to speak to the accessibility lead Axel-Nathaniel Rose ahead of the conference and stay in touch throughout, please email him at a.rose@unsw.edu.au.

There will also be volunteers providing tech support in each room.

Q: Is my carer welcome at the conference?
A: Yes, they are welcome. Please let us know if your carer will be attending, and we may be able to arrange discounted attendance. Please email us at aawp2026@unsw.edu.au

Q: Is my assistance animal welcome at the conference?
A: Yes, they are welcome.

Q: Is there accessible parking available?
A: Yes. Anyone with a valid Mobility Parking Permit may park for free in Accessible parking bays on campus. The closest carpark to Webster building is Barker St carpark, accessible from Gate 14. There are 9 accessible parking bays on the ground floor that conference delegates may use. If all accessible bays are taken, a person who holds a Mobility Permit may park in any “UNSW Permit Holder” bay in the carpark without paying as long as the permit is displayed on the dashboard. If you have any questions or need any support, please email us at aawp2026@unsw.edu.au

Q: What dietary requirements are being catered for?
A: Vegan, vegetarian, gluten free, and nut free. If you have an additional requirement, please let us know when you register and we will do our best to accommodate you.

At this conference, we are offering morning and afternoon tea, but not lunch.

Q: Are there other places to get food nearby?
A: Yes. On one side of the Webster Building is Plume Café and the Quad Food Court. On the other is Coffee on Campus.

A brief (approx. 5 minute) downhill walk from Webster is the UNSW Village. In the Village Shops, there is an IGA and several restaurants and cafes.

On UNSW’s upper campus (approx. 10-15 minute uphill walk), there are two food courts – one at the top of the Basser Steps, and one in the Matthews Building. To get to the Basser Steps shops via an accessible route, one must go up the elevators from the Quad and up the ramp which parallels the Basser Steps. To get to the Matthews Food Court, one must go up the elevators from the Quad, up the ramp which parallels the Basser Steps, and then the elevator from the Basser Steps to the Library Walkway.

Please note that most/all on-campus food services will be open during the conference, as the conference week is UNSW’s exam week. The UNSW Village shops will be open throughout, in line with their opening hours.

Q: Is there a quiet room or sensory room?
A: Yes, there will be a dedicated quiet sensory room. We will update this page, and the conference website, when a room has been chosen.

Q: Is there a pharmacy or medical centre nearby?
A: The UNSW Pharmacy is next door to the Webster Building. The UNSW Health Service is adjacent to the Webster Building in the Quad building, next to the Basser steps and is open to visitors. The Prince of Wales Hospital is a 15-minute uphill walk or a five-minute drive from the conference venue on campus.

Location

UNSW Kensington, Robert Webster Building

Accommodation

Accommodation in the area, by proximity to the Webster Building:

  • On campus: AGSM Short Stays | Email shortstays@unsw.edu.au  
  • Randwick: Avonmore on the Park Boutique Hotel | hotelsone.com
    Randwick, within walking distance of the conference venue. The quoted rate is $170 per night, and delegates should mention the conference and the rate when booking. Delegates with access requirements should call to enquire and confirm availability as only ground floor rooms are accessible.
  • Randwick: The Lurline Randwick | Formerly Randwick Lodge | thelurline.com  
  • Coogee Beach: Adina Apartment Hotel Coogee Beach, Sydney | adinahotels.com
  • Budget option, Haymarket: YHA Sydney Central | yha.com.au
    A great location that's near Central Station, the airport line, and the L2/L3 light rail lines (direct trips to campus). For most straightforward access to the conference venue (the Webster Building), take the L3 light rail line to the UNSW Anzac Parade stop. From there, it is a slightly uphill trip along University Mall to the Webster Building.

Contact the AAWP 2026 team for all conference enquiries

Email Team

Acknowledgement of Country

We acknowledge the Bidjigal as the Traditional Custodians of these lands and pay our respects to Elders past and present. This Country has always been a place of teaching, learning, and knowledge sharing, and that continues today. We honour the enduring connection of Aboriginal and Torres Strait Islander peoples to this land, culture, and community. We recognise the ongoing presence and contributions of Aboriginal and Torres Strait Islander peoples and commit to listening, learning, and walking together.